Skip to main content

September: What Did I Read?

What can I say - I was so intrigued by the concept of Quentin Tarantino writing a novel that I had to pick up his novelisation of the film Once Upon a Time in Hollywood. Not entirely sure why I was surprised that a world-renowned screenwriter would be able to expertly craft a book, but I was! And yes - that is my confession that this was a 4 star read for me. I have never watched the film, but that did not matter at all. This delves deeply into many of his characters, and takes a meandering journey through Hollywood in the sixties, complete with: fascinating film knowledge, a creative cast of characters, and a reading experience that for some reason reminds me of eating a good meal. Would recommend!

I was much more optimistic about Mary Oliver's Dream Work, because BookTube icon uncarley recommended it, and rightly so! If Once Upon a Time in Hollywood was a good meal, Dream Work was a waterfall on a lush mountainside. Every poem was richly gorgeous, with ruminations on nature and life and death, in a uniquely brilliant voice. This poetry collection really opened my eyes to the magic of the world around me and its dreamy quality really touched me. One of my favourite poetry collections I've ever read - this was a library book so I couldn't annotate, but I took pictures of so many of the poems. 

As arguably one of Joan Didion's most famous books, of course I had to read The Year of Magical Thinking next. This one was particularly poignant for me: I was hoping that reading it might provide me with some epiphany about loss in my own life. It did not, but it was strangely comforting. I say strangely, because it was so very sad. But following Didion on her own journey through grief, as she turns over every stone and methodically searches for some kind of meaning in the madness, there was just something about it. Either this or Blue Nights have been my favourite works of hers thus far, just because of how deeply personal they are. 4.5 stars.

I love Toni Morrison. That's not a particularly groundbreaking thing to say, but it's true: I think she's a brilliant writer. And to discover that The Bluest Eye was her first ever novel? What a mind! In true Morrison fashion, this tragic tale of girlhood meanders across time and place, tracing the lives of several characters all over the streets of the city, and eventually circling around onto Percola: the central figure of the story, who clings onto a horrifying hopefulness in the face of terrible things. This a gorgeous, miserable little novel and such an astounding debut by a great American author. 4 stars.

For most of my time reading Outline by Rachel Cusk, I was very uncertain as to how I really felt about it. Cusk's prose is gorgeous and the way she evokes the stuffy feeling of a summer in Europe is scarily realistic, but there was very little to grasp onto. We learn almost nothing about our protagonist, and the novel is essentially a compilation of short stories about the people around her, loosely strung together by her enigmatic presence - and I am not a fan of short story collections, because I love to get to know a story through the eyes of specific characters. However, as the story progresses, minute details pass through the elaborate descriptions of apartments and the sea, and the vacuum at the centre of the novel becomes more and more enticing. I was originally going to give this 3, but I'm bumping it up to 4. I did want to read the rest of the trilogy, but never got around to it. Here's hoping for the future.

Another novel about grief, Han Kang's The White Book was my next read. Now, I was disappointed by The Vegetarian, although it was still good, but I was much more enamoured by this little book, giving it 4 stars. The prose is lyrical yet paralysing, and Kang truly brings both the city and her loss to life in a sparing amount of words. And this is unrelated to the actual contents of the book, but the pages were so crisp, and I have to respect the grift of plumping out the book by filling it with blank White pages. Some gorgeous photographs as well.

To look at this month's book list, you'd think I was really going through it this month. Yet another novel about the loss of a loved one, it's Joan Didion's Blue Nights. The opening paragraphs to this are otherwordly and stunning; the concept of the blue nights is just breathtaking. Now, reviewers don't seem to take to this novel as much as I did (giving it 4 stars), but I found Didion's writing continued to be brilliant, and it was a wonderful tribute to her daughter, truly.

Finally, I made it back to my favourite genre: crime fiction! I've heard a lot about My Sister, the Serial Killer by Oyinkan Braithwaite and when I spotted it in the library, I snatched it up. It was a decent novel, which I gave 3.5 stars, and the dynamics between characters were fascinating. However I did not enjoy any of said characters: they were all pretty flat and irritating. However, it was a very interesting plot with a great ending.

Susanna Kaysen's autobiographical Girl, Interrupted was brilliant, as was its film adaptation. Exploring the world of an asylum in the 60s was very interesting, and Susanna as a character was very endearing: it did truly seem as though she was just a regular girl, interrupted by forces outside of her control. I don't have a lot to say outside of that I enjoyed reading this, and Kaysen obviously wrote with a real sense of reflection about herself and the women around her. 4 stars from me. 

If I Had Your Face by Frances Cha was a very well-written exploration of the lives of women in South Korea, and a rumination on the many different ways that the patriarchy lets us down. The most interesting character by far was Kyuri, however all of the storylines were intriguing. Because there were so many, a few of these were left as loose ends, but of course that's just life. It was an overall satisfying read, which I gave 4 stars, and had some brilliant passages.

Comments

Popular posts from this blog

Black Swan as a Modern Gothic Text

SPOILERS AHEAD Ballet and the gothic have quite a lot in common: they both originated in Italy, as all good things seem to; they both desire to evoke emotion; and they seem to have perfectly intertwined in Darren Aronofsky’s (pretty controversial) masterpiece, Black Swan. Whilst on the surface this just seems like a psychological thriller, if you pay attention you’ll find a million and one different features of the gothic implemented to build up the terror. And it certainly worked— I’ve never been more on edge.  CHARACTER Whilst Nina Sayers is the main character of Black Swan, there are two other characters in this film who play key roles in bringing to life it’s gothic elements: Lily, Nina’s rival; and Thomas Leroy, the choreographer behind it all. All three of them fall into at least one traditional gothic role. Nina and Lily occupy each end of the Madonna-Whore dichotomy, respectively. With her childlike innocence, pristine appearance, and light colour-scheme, Nina very much con...

Francis Ford Coppola vs. The BBC: Which Dracula Retelling Do I Prefer?

Ever since it's publication in 1897, Bram Stoker's iconic Gothic Vampire novel Dracula has been retold and repurposed hundreds of times. From classic- although unlicensed- horrors such as Nosferatu, to cartoon comedies like Hotel Transylvania, despite being staked through the heart, the aristocratic Count will live on forever in popular culture. Today, I will be comparing the 1992 Francis Ford Coppola directed film Bram Stoker's Dracula (original title, I know) to the 2020 BBC three-part adaptation Dracula (yet another ground-breaking title) and deciding which one I prefer. I can give you a hint now: it's the BBC version. Sorry to all the film bros out there, who would probably consider that as blasphemy. I will be exploring the reasons for this preference via three main areas: the storylines/aesthetics of the whole thing put together, the women (mainly Mina and Agatha, respectively), and the formidable Count himself. So, let's take a journey back through time, to t...

The Magic of Suspiria (1977)

WARNING: SPOILERS AHEAD Suspiria (1977) is a very divisive film. Some love it; others believe it to be one of the most overrated films of all time. Centred around a dance school and yet featuring almost no actual dancing, the story follows Suzy Bannion— from her arrival at a prestigious academy, to her eventual exit: running for her life and overcome with hysterical laughter. But what happens in the slick 90 minutes between these two events that causes such difference of opinion? Is Suspiria really Dario Argento’s masterpiece, or is just a bygone product of its era— scary in the 70s, but just another giallo of many to us now? In terms of the visual experience, the answer is no. Suspiria is a feast for the eyes from start to finish. There’s meaning in everything you look at. Particularly, the colour red. One could fill an entire novel analysing every time a rouge tone appeared on the screen during this film; but I’ll try not to. In the most obvious colour theory, red means danger. Su...